Videogame music wouldn’t be where it is without people like Ozzy Osbourne


You could almost definitely trace back an ungodly percentage of my music taste to the games I played growing up: Skindred’s ragga metal in Need for Speed Underground 2, Hayley Williams’ Simlish rendition of Paramore’s Pressure in The Sims 2, and approximately 95% of the catalogue each Guitar Hero game had to offer.

I still remember the first time I heard Ozzy Osbourne’s Crazy Train in Guitar Hero World Tour: a rare family holiday gathering in an uncharacteristically fancy Scottish cottage as I smacked away on the plastic drumkit that I’m sure my old man regretted buying me that Christmas, while my cousin attempting a vague Ozzy warble on the microphone.

Ozzy Osbourne in 2022.

(Image credit: Scott Dudelson/Getty Images)

I was already well indoctrinated into the alternative scene at this point, but being exposed to Ozzy’s solo songs unlocked a much deeper appreciation for early metal work, and the pioneers who moulded the genre into what it is today. A genre which has become so heavily intertwined with videogames that I couldn’t imagine them without people like Ozzy Osbourne, Black Sabbath and beyond.

Sabbath Bloody Sabbath



buspartabs.online